Movie Reviews By Movie Reviews Pro

Kung Fu Hustle

Rating:

Movie: Kung Fu Hustle (2005)

Studio : Sony Pictures Classics

Info : Click Here

Runtime : 117 min

Website : kungfuhustle.com

Trailer :
http://www.dailymotion.com/video/x1l206

Review:

“Kung Fu Hustle” is the brain-child of Stephen Chow, a Chinese film maker who combines both his knowledge of American and East Asian film making. Though probably classified as a comedy, it should be equally a fantasy and martial arts woman.

As with every film, the opening image is the most important one in a film, the second-most being the ending. Instead of going straight into the story and introducing the main characters, the villains are first introduced. They are the third group seen, the first being the city’s police, who are being beaten by the leader of the “Crocodile Gang”, a tough group of gangsters who have the police in their pocket. “The Axe Gang” approaches them in the street and a fight ensues, the Crocodile gang getting the worst end of it.

The protagonist of the story isn’t even introduced until easily 12 minutes into the film. “Pig Sty Alley”, the home of the majority of the film’s action is a poor part of town run by a chauvinist and his loud-mouth, cigarette-smoking wife. These people are destitute but have great courage. The Axe Gang comes to town after Sing (Chow) and his friend attempt to steal money from one of the sty’s occupants. They attempt to call the gang members with a firecracker, which backfires, but in the end, the gang members approach and are promptly beaten back by three of the store owners.

The action sequences are incredible. As someone who prefers a realistic style of violence over movies like Crouching Tiger, Hidden Dragon, but these sequences are for more than artistic sake, being a vehicle for both plotting and humor at the same time.
A word on the humor: there is a lot of great humor in the movie, from the physical comedy of the hair stylist who wears pants that almost have no point to dancing gangsters, and Loony Tunes inspired moments, coupled with a lot of puns as well as very subtle moments in dialogue and staging of the actors.

This is one martial arts movie that I can watch time and time again, feeling like I have missed details that make it better with each viewing. As with all his films, Chow plays a major role in the film, his comedic talents not just on the script. His performance sticks out among many great characters in the film. This is a film for anyone wanting a laugh or seeing incredibly choreographed action.

-M. Sigurd Hall

Action, Comedy, Crime, Fantasy, On BLU-RAY, On DVD Action, crime, Drama, kung fu

Kick-Ass

Rating:

Movie: Kick-Ass (2010)

Studio : MARV Films

Info : Click Here

Runtime : 117 min

Website : kickass-themovie.com

Trailer :
http://www.dailymotion.com/video/xbjehk

Review:

I tend to make it a rule to avoid remarking on films that I am familiar with on other formats since transitions are always difficult to appreciate in both ways. The more exacting the transition can be, the more you alienate fresh audiences to the experience. Likewise, a film that tries a different approach from that format lowers the expectations of the diehard fans. Even the most praiseworthy attempts to new formats suffer from clipping of the original material to make a better—sometimes even superior–story.

While I am familiar with Millar & Romita’s Kick-Ass as a comic, my main problem is one centered on the concept itself: it fails to offer a convincing reality. Granted, this sounds preposterous since this is a superhero movie, but this was marketed from the getgo as an attempt to make a “superhero” that seemed realistic, with his own myspace persona and everything. By removing that grounded perspective, you lose the one item that perhaps made this film different from most other wide-released superhero movies out there aside from the repeated complaints about a 13 year old ninja and her Adam West-like gunman daddy.

To be fair, the changes are justifiable. Certain elements in the comic wouldn’t make for a sellable movie, and characters are better fleshed out as a result. But the problem is that it brings nothing new as a result. Even the acting comes off as relatively underwhelming outside of the ridiculously outlandish interaction between Nicholas Cage and Chloe Moretz.

It won’t impress fans too much, and for audiences unfamiliar to the comic, it’s nothing new. All the same, considering how the “real superhero” concept has been fairly well-tread with 2006 bringing us Special, 2007 offering us Kabluey, and even 2010 heading out with the hard-to-disappoint Woody Harrelson in Defendor, this is an issue best left on the comic rack. If you’re looking for Superbad meets Spiderman, then give this film a go, but considering what other action fare we can anticipate in the next few months, Kick-Ass may graze your cheeks just long enough until something better comes along.

-Donald Lee

Action, Comedy, In Theaters

Greenberg

Rating:

Movie: The Secret of Kells (2009)

Studio : Les Armateurs Vivi Film Cartoon Saloon

Info : Click Here

Runtime : 75 min

Website : thesecretofkells.com

Trailer :
http://www.dailymotion.com/video/xcupae

Review:

Set in the Dark Ages of Ireland, young Brendan lives in the great walled community of Kells. He has never gone beyond those walls, for fear of Viking raiders who have been pillaging villages and monastaries as of late. When the sole survivor of the island abbey of Iona comes bearing a book of legends so beautiful in pages that it scares sinners away, Brendan finds an artistic side to him that demands to go beyond the limitations placed on him to finish the incomplete book.

The animation itself is a deceptively simple style. The characters are not so much created out of simplicity as it is to make them flow with the pace of the story. As you go further in, the art style begins to show more of its medieval roots, often framing scenes or playing as natural backgrounds seamlessly with the action. It is not unlikely to think of this movie flowing the same way your eyes do watching the patterns of a tapestry or, in this case, the illuminated script of what would become one of Ireland’s greatest treasures.

If there is anything that made me troubled at this film, it’s the unnecessary politically correct direction taken. Brendan’s other fellow brothers are a multitude of ethnicities. The ethnicity shows no real purpose for this whitewashing other than legal purposes and an accessory accent. Thankfully, these issues also don’t seem to detract too much either from the point of the tale.

Although this film is only 75 minutes, it doesn’t feel too short. It actually paces well and feels like it’s much longer at points. This is not a bad thing, as the film completes itself gracefully from start to finish without a moment of awkwardness or padding in-between. If anything, it’s a nice change of pace from the normal fare expected in terms of animation. I would not only recommend seeing this in theater, but will look forward to seeing it again shortly.

-Donald Lee

Adventure, Animation, In Theaters

Greenberg

Rating:

Movie: Greenberg (2010)

Studio : Scott Rudin Productions

Info : Click Here

Runtime : 107 min

Website : here

Trailer :
http://www.dailymotion.com/video/xcupdf

Review:

Roger Greenberg (Ben Stiller) is the brother of Phillip Greenberg. The difference between them is that Phillip is a successful owner of a hotel chain with a healthy family with three kids and a dog in a large home in California. Roger Greenberg is a “do nothing” who lived in New York City as a carpenter with a mental breakdown who lives like an old man wishing it was twenty years ago.

Greenberg is a film about acknowledgement. Greenberg refuses to acknowledge people but wants to be acknowledged, particularly by those who had something to do with his past in California. As he attempts to find some way to bring back the things he loved in his high school days, he finds himself in a frustrating relationship with his brother’s personal assistant, Florence (Greta Gerwig), who is almost twenty years younger than him and strangely resonates with his eccentric attitude. She is one of the only people who acknowledges and admires him, and he hates her for it as he tries to get people in his past to acknowledge him instead.

The only member of his past who is willing to be a part of his life again is Ivan (Rhys Ifans), an old band member with a son and an ex-wife that Roger refuses to acknowledge. Roger insists that Ivan leave the things that has happened to him while Roger was in New York while plotting with him on how to get back the ex-girlfriend that left him during high school so long ago.

It was difficult formulating what to say about this film. It’s awkward and clumsy at times, much like Roger. We don’t really understand him, but slowly start to see the pieces of his past that made him this way. Like Florence, we are strangely drawn to his eccentricities, and only when we see him interact and care for these new figures in life do we start to really acknowledge him.

This is definitely a film for the Wes Anderson crowd. Initially, I was even tempted to call this film another Rushmore (and, no, not in a good way). But thankfully, unlike most Wes Anderson films I’ve seen, director Noah Baumbach is generous with his clues and willing to give you some slack in order to “get it”. As you go further into the film and study the pieces, you start to acknowledge that this film really is more than you originally may have believed.

-Donald Lee

Comedy, Drama, In Theaters acknowledgement, Ben Stiller, greenberg, greta gerwig, review