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Harry Potter and the Half-Blood PrinceRating: Four stars

Rating:

Movie: Harry Potter and the Half-Blood Prince (2009)

Studio : Warner Brothers Pictures

 Info : Click Here

Runtime : 153min

Website : harrypotter.warnerbros.com/harrypotterandthehalf-bloodprince

Trailer :http://www.dailymotion.com/video/x99zz1

Review:

There’s a scene at the beginning of Harry Potter and the Half-Blood Prince where Professor McGonagall (always wonderfully played by Maggie Smith) says to Harry, Ron Weasley, and Hermione Granger, “Why is it whenever something happens, you three always seem to be in the center of it?”  Ron replies, “I’ve been wondering that myself.”  That’s basically the essence of the entire series, but these three kids (now teenagers) are so charismatic and likable that we accept everything and take the ride with them.
 
Harry Potter and the Half-Blood Prince is the sixth installment in this huge franchise, and for those who haven’t read the books, I’ll give a brief plot summary: there’s strong sentiment going around the wizard world as to whether Harry Potter is the “Chosen One,” that is, the person who has been chosen to fight Lord Voldemort and save all of humanity.  Harry’s also found a book in his Potions class that belonged to the Half-Blood Prince, and this book is able to help him create potions.  Meanwhile, more ominous things are happening at Hogwarts, and Lord Voldemort may be working through Harry’s archenemy, Draco Malfoy, in order to wreak havoc.  We also learn more about the Dark Lord’s past, and see how Dumbledore inadvertently groomed him in order to become the force of mass destruction he is today. 
 
All of this stuff is fun and exciting, and we’re seeing a less whimsical and much darker Hogwarts than we have in the previous films.  The film seems to be mostly shot in neutral tones, which works very well given the secrets and histories we’re exposed to in this installment.  It does lag somewhat as we move towards the final sequence, but that’s only for about 15 minutes in a two-and-a-half hour film, and the conclusion left me stunned (even after I knew what was coming from having read the books).
 
Still, my favorite parts of the film had nothing to do with the suspense portion.  Harry, Ron, and Hermione have blossomed into teenagers, and they’re all experiencing true romance for the first time.  There are some well-observed moments here, as Hermione scowls while Ron becomes involved with another girl, and Ron’s sister Ginny grows increasingly infatuated with Harry.  I, along with several others, laughed out loud at some of their behavior, because watching it indeed reminded me of what it was like for me to be in love as a teenager. 

This is a good film.  It’s not my favorite of the series, but the action in this movie is as exciting as it was in the previous entries, and thus far, it’s the most human. 
 

-Craig Wynne

Action, Adventure, Family, Fantasy, In Theaters, Mystery, Reviews by Genre, Reviews by Status, Romance Action, Adventure, Family, Fantasy, harry potter, Romance

Funny People - Adam Sandler

Rating:

Movie: Funny People (2009)

Studio : Columbia Pictures

Info : Click Here

Runtime : 140min

Website : www.funnypeoplemovie.com

Trailer :http://www.dailymotion.com/video/x8fy1t

Review:

Funny People is the third directorial effort from Judd Apatow.  While this movie has the same amount and degree of laughter as Knocked Up and The 40-Year-Old Virgin, I felt this one was a lot deeper and darker than those two efforts.
 
Adam Sandler stars in this movie as George Simmons, a Sandleresque comedian who has achieved fame and prosperity, but is essentially a lonely man.  He begins to reevaluate his life when he’s informed that he is dying of a rare blood disorder.  Seth Rogen is Ira Wright, a struggling comedian who writes good jokes, but whose awkward on-stage delivery keeps him from progressing to the big time.

Simmons’ disease prompts him to return to his roots by performing at one of the clubs where he got his start, and by chance, he happens to catch Wright performing.  Seeing some potential in the young comic, Simmons decides to hire Wright as his joke writer/assistant.

The routines performed by the comics are hilarious, and the interplay between the two leads is fantastic.  Rogen slimmed down for this role, and he’s not playing the usual slacker he normally embodies.  He’s passionate and determined in his ambition to make it to the next level, and we root for him to do so.

I’ve always been a fan of Sandler’s work, and he conveys the same darkness and complexity that he brought to Punch Drunk Love.  His character has made some bad decisions in his life and is not a very nice person as evidenced by the way he treats his new assistant.  Still, we identify with his pain and loneliness, and we root for him to get what he wants.

His driving desire is to get back together with Laura (well-played by Leslie Mann), his ex-fiance whom he still loves, but lost several years earlier due to his philandering ways.  The final act of the movie involves Simmons and Wright driving up to San Francisco, where she’s settled into the domestic life with an absent husband and two daughters.  Her marriage has been tumultuous for years, and the arrival of the two comedians brings this tension to the surface.  At the risk of spoiling a plot point, I’ll say that this subplot ends on a surprising note, but one that’s entirely fitting to the behavior of these characters.

Funny People has a number of laughs, but the script also makes us think about human nature, mortality, and the essence of friendship.  It’s Apatow’s (and Sandler’s) best work yet. 

-Craig Wynne

Comedy, Drama, In Theaters, Reviews by Genre adam sandler, Comedy, Drama, funny people

Orphan - Jaume Collet-Serra

Rating:

Movie: Orphan (2009)

Studio : Warner Bros.

Info : Click Here

Runtime : 123min

Website : orphan-movie.warnerbros.com

Trailer : http://www.dailymotion.com/video/x8qjbh

Review:

Movies about creepy kids have long been a reliable box office draw. Usually consisting of some seemingly angelic little boy or girl who starts out all wide-eyed and innocent but in the end is revealed to be a granny-mangling demon from the bowels of pre-pubescent hell, this sub-genre has given us such nightmarish cinematic icons as Regan from The Exorcist and Damian from The Omen.

The Orphan probably sits somewhere between the above classic examples of how to do creepy kid movies and Children of the Corn (as an example of how not to). Essentially it’s a domestic horror tale centering on the troubled Coleman clan and the swirling black-hole of loss and guilt that resides at the core of the family. We soon come to learn that the black-hole is the result of the tragic loss of Kate and John’s unborn baby. Kate is in therapy for her drinking problem while John deals with things by wandering around the house in a near perfect state of semi-consciousness. And so, to fill in the hole they decide to adopt another (older) child. Enter Esther.

Believed to be born in Russia and possessing prodigious musical and artistic abilities, the delightfully polite Esther immediately impresses Kate and John with her quiet and sad demeanor and they quickly decide to take her home from the orphanage. What was interesting at this point was that Esther was not simply being depicted as a one-dimensional mini -monolith of evil, but rather seemed genuinely vulnerable and moved by her introduction to the Colemans’ (relatively) stable family life.

It wasn’t long however before the creepy kid clichés began to pile up. But still, I reassured myself, that’s okay – heck, you could argue that all genre movies are just a series of orchestrated clichés! It was in the final act though that I finally gave up on The Orphan. Back-pedaling furiously from the complex position of having created an almost sympathetic killer kid, the film-maker instead took the easy way out by inserting one of the most ridiculous “twists” to come down the pipeline since Bobby Ewing came back from the dead in Dallas. Yes, the “twist” did answer a few (unimportant) questions – but it also provoked a new one: why did I spend $10 dollars on this crap?

In the end, despite the strong first half, the only person I would recommend this orphan to is Madonna.

-Paul Meade

Drama, Horror, In Theaters, Mystery, Thriller Drama, Horror, Mystery, orphan, Thriller

The Hurt Locker- Kathryn Bigelow

Rating:

Movie: The Hurt Locker (2009)

Studio : Kingsgate Films

Info : Click Here

Runtime : 130min

Website : thehurtlocker-movie.com

Trailer : http://www.dailymotion.com/video/x91vpy

Review:

The Hurt Locker is the story the Army’s elite Explosive Ordinance Disposal (EOD) squad and their call to missions in modern-day Iraq. The story focuses on the Bravo Company, specifically commissioned to handle IEDs or Improvised Explosive Devices. We follow this company—which comprises Staff Sergeant William James (Jeremy Renner), Sergeant J.T. Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty)—on their 39-day tour of Iraq. We watch as they weave through each mission with their lives on the line, and as they consistently escape death, the layers of their complicated emotions and intentions unfold right before us.

It doesn’t take very long to realize that the real star of this film is director Kathryn Bigelow. Although her claim to fame up to this point might be Point Break and being the mega-director James Cameron’s former better half, this movie should cement her as a serious and formidable new voice.

The amazingly authentic script by Mark Boal aids her vision. Much like In the Valley of Elah, Boal has researched a real story in order to create a compelling fictitious one. Here, Boal imbedded himself with an actual EOD squad and fashioned himself part-journalist, part-screenwriter. And upon the viewing of this film, it will be hard to deny that he has succeeded exceptionally as both.

Jeremy Renner as Sergeant James does a commendable job of turning his performance into a bona-fide character study. As the most complex character, he gives an appropriately understated performance while maintaining a certain amount of bravura, making him fascinating to watch.

There’s a noticeable dip in the quality of the action at the end of the second act where a particular soldier goes AWOL. It’s the only part of the movie that feels a little “Hollywood.” Nevertheless, it doesn’t take away from the overall excellence of the film, and fortunately, it gets back on track shortly thereafter.

However, there is a major oversight that does affect the overall impression of this film: Although directed by a female, it is mysteriously devoid of female soldiers. For a film that’s committed to being so real and so true, it’s an unfortunate critique for a film that is otherwise virtually flawless.
 
The crux of this film lies within its final 5-10 minutes. And it’s these minutes that catapult it from being a run-of-the-mill war story to modern parable.

-Sam Henderson

Action, Drama, In Theaters, Thriller, War Action, Drama, hurt locker, Thriller, War