Movie Reviews By Movie Reviews Pro

Shutter Island

Rating:

Movie: Shutter Island (2010)

Studio : Paramount Pictures

Info : Click Here

Runtime : 138 min

Website : shutterisland.com

Trailer :http://www.dailymotion.com/video/xbyi72

Review:

Having been a huge fan of such classic Martin Scorsese films like The Departed, Taxi Driver, and Raging Bull, I had been anticipating the release of Shutter Island ever since I saw the first preview. And I’m glad I got the opportunity to see it.

Set in 1954, the movie starts Scorsese regular Leonardo DiCaprio as Teddy Daniels, a U.S. Marshal who’s been sent to Ashcliffe, a hospital for the criminally insane, to investigate the disappearance of a patient who drowned her children. Accompanying him is fellow Marshal Chuck Aule (played by a characteristically muted Mark Ruffalo).

The hospital is located on an island just off the coast of Massachusetts, and we open as Daniels and Aule are introduced to each other on the ferry ride in, but there’s something about the gray skies and rough waters on their journey that give ominous hints of things to come.

We meet Dr. Cawley (Ben Kingsley) and Dr. Naehring (Max von Sydow), who carry a friendly guise, but appear to have something more sinister lurking beneath. They’re reluctant to offer information to the lawmen on their investigation, so DiCaprio does some snooping around on his own.

DiCaprio digs into his character well, as he shows a man troubled by his experiences in World War II along with the recent death of his wife. As he spends more time on the island, he begins to undergo hallucinations starring his wife, and there are hints that he could just become one of the patients.

The first half of the movie appears to be a hyped-up whodunit, and an excellent one at that. Scorsese appears to layer the investigation piece by piece, as DiCaprio and Ruffalo meet with a wide assortment of characters on the island that seem to lead them towards something more complex than the case of an escaped murderess.

For this part, the hallucinations, while necessary in establishing DiCaprio’s character, seemed to be overdone and were somewhat distracting from the actual case itself. However, this being a Scorsese film, there are a few surprises, and I can’t write too much more about it without giving away a twist that I half-predicted. However, it did end up surprising me and had me thinking the next day.

The movie is visually impressive as well. A hurricane approaches, and there are a couple tautly filmed sequences starring a lighthouse at the edge of the island, as well as some harrowingly tight cliffs and high-splashing waves that echo of Cape Fear. This movie proves once again why Scorsese is the legend that he is.

-Craig Wynne

Drama, In Theaters, Mystery crime, Drama, Leonardo DiCaprio, Martin Scorsese, Mystery

Crazy Heart

Rating:

Movie: Crazy Heart (2009)

Studio : Fox Searchlight

Info : Click Here

Runtime : 112 min

Website : foxsearchlight.com/crazyheart

Trailer :http://www.dailymotion.com/video/xb7utw

Review:

As of this writing, Jeff Bridges has already won a Golden Globe for his performance in Crazy Heart, and he is expected to receive an Oscar nomination, if not win the award entirely.

And he deserves it. Bridges disappears completely into his portrayal of Bad Blake, a 57-year-old alcoholic former country star whose career has been reduced to playing in front of small crowds in bowling alleys and bars. Subsisting on a steady diet of cigarettes, whiskey, and longnecks, Bridges can still entertain the crowds of loyal fans who request songs, and he’s still suave enough to be able to take groupies back to his hotel room.

Things begin to look up for Blake when he meets Jean Craddock (Maggie Gyllenhaal), a reporter for a small New Mexico paper, who wants to interview him. They talk about music and life. Soon enough, predictably but endearingly, they’re soon doing more than talking. She has a four-year-old son and has made mistakes in her life as well, but has held it together. We see that there’s potential for change in Blake, but he’s so worn down, so accustomed to the hard-drinking, nomadic lifestyle that change can be just out of reach. There’s a heartbreaking scene where he takes Jean’s son for some quality time at the playground, and he shows here that he could just be an effective father figure. Upon bringing him home, he sneaks away to take a swig from his flask.

This is a wonderful movie. Bridges doesn’t play Blake; he embodies him. He and Gyllenhaal create a convincing chemistry, and we root for the relationship to drive Blake to throw away the bottle and settle down with a family. Colin Farrell does a good job as the country star who was mentored by Blake and is still loyal to him, and Robert Duvall has a small but powerful role as an old drinking buddy of Blake’s who’s sober. Duvall’s presence was no doubt inspired by his Academy Award-winning performance in Tender Mercies, a similar film about a down-and-out country singer. I haven’t seen it, but now plan to.

I’ll also add the music. The soundtrack, which I also intend to find, had my head bopping throughout. I’m not a huge country fan, but I do have Toby Keith on my iTunes, and I’m listening to him as I write this review. Like most of the country songs I’ve heard, Blake’s revolve around alcohol, heartbreak, and regret, strong themes in his life. One of his songs goes, “I used to be somebody, but now I’m somebody else.” But does he need to stay that way? We know the answer, but the center of the film revolves around whether he learns it. It’s a masterpiece.

-Craig Wynne

Drama, Mystery, Romance crazy heart, Drama, Music, Romance

Tetro

Rating:

Movie: Tetro (2009)

Studio : American Zoetrope

Info : Click Here

Runtime : 127 min

Website : Tetro

Trailer :http://www.dailymotion.com/video/x96i8n

Review:

It’s been a long and tortuous decline for Francis Ford Coppola since his heady days as the confirmed Titan of the 70’s movie-brat scene. Who else has reached so high (Godfather 1&2 and The Conversation) only to fall so low (Jack)? Redemption (of a kind) now arrives, however, in the form of his latest film, Tetro.

The story centers on 17 year old Bennie (Alden Ehrenreich) as he arrives in Buenos Aires in search of his estranged older brother Tetro (Vincent Gallo). Initially hostile and suspicious of Bennie, Tetro slowly welcomes his kid-brother into his world and introduces him round to his colorful coterie of artist and writer friends (which makes the carnival-like first act of the movie seem like a slightly cheesy cross between La Dolce Vita and the high-camp 1960 film version of Kerouac’s The Subterraneans). Starker family secrets soon emerge though to put the drama on a darker footing.

Through the poetry of Coppola’s renewed filmic passion, we learn of Tetro’s shattered past, his apparent failure as a writer and his subsequent breakdown. The bond between the brothers is what drives this story forward yet some of the most revelatory moments are when Coppola reaches back into their shared history to explore the deep family wounds that kept them apart for so many years. Some of the most inspired scenes of the film are those depicting their tyrannical musical genius of a father and the stunningly cruel games he played against his sons.

Another of the films intoxicating charms is how it celebrates the women that keep both brothers sane and (literally) alive – from opera-singing mothers to Buenos Aires bubble-bath beauties, the role that women play as the eternal muse again echoes Fellini. That is not to suggest that the female characters are merely window-dressing. As fine and refreshing a performance as the always electrifying Vincent Gallo delivers, the best moments in the film belong to the brilliant Maribel Verdú (as Miranda).

Tetro is no masterpiece – Bennie’s underwritten character and a slightly disappointing “twist” finale both hamper the Coppola comeback – and it’s overtly “arty” style will certainly not appeal to all cinematic tastes. Nevertheless, if you are looking for something out of the ordinary and which is laced with a desire to tell simple human truths in a stylish way, Tetro makes you an offer you can’t refuse.

-Paul Meade

Drama, In Theaters Drama, tetro

Inglourious Basterds

Rating:

Movie: Inglourious Basterds (2009)

Studio : Universal

Info : Click Here

Runtime : 153 min

Website : inglouriousbasterds-movie.com

Trailer :http://www.dailymotion.com/video/x9zcxu

Review:

While it will certainly not win any Oscars, Quentin Tarantino’s, Inglorious Bastards, entertains for the full 2 hours and 33 minutes. The film is divided into five chapters, which at first seem mutually exclusive, but begin to tie together towards the middle of the movie.

Though it is a war movie, there are very little gunfights. The classic “Tarantino violence,” mostly comes from the scalpings of dead Germans, body mutilations, and one overly gruesome execution by baseball bat, though none of it is comedic as usual. Tarantino also uses a series of flashbacks in order to fill the audience in on plot holes, which works very effectively and is also very entertaining. Seeing as how the rest of the movie is filled in by scheming, plotting, and a pestering German war hero, it is difficult to understand how the movie went by as quickly as it did.

The reason for this however, is that Tarantino was able to create an intricate plot with many captivating characters. The story is an alternate history of World War II, beginning with a young girl named Shosanna Dreyfus (Melanie Laurent), who witnesses the murder of her family, but narrowly escapes. She flees to Paris, where she forges a new identity as French theatre owner. Meanwhile, Lieutenant Aldo Raine (Bradd Pitt), creates a group of Jewish American soldiers, known by the enemy as “the Basterds,” who are trained to commit quick and shocking attacks on German soldiers.

When a young German war hero, Fredrick Zoller (Daniel Bruhl)—who has had a film made about him, starring him—falls in love with Shosanna, he moves to have the highly anticipated premier of his film at her theatre. With Hitler and the entire high command set to attend, both Shosanna and Aldo create separate plots for their assassinations.

This film is unlike any World War II movie ever made, however, it does have many flaws. While Bruhl’s character, Zoller, is supposed to be annoying to Shosanna, he did a better job of annoying me. Additionally, Bridget von Hammersmark (Diane Kruger), an actress/double agent, who is supposed to help Raines carry out his mission—but ends up hindering it instead—seems almost completely unnecessary. “Basterds,” is not to be a Tarantino classic, but it is certainly worth seeing, even if it is just to see Pitt speak Italian in a Southern accent.

-Stephen Fox

Action, Drama, In Theaters, War Action, Drama, Quentin Tarantino, War