Movie Reviews By Movie Reviews Pro

Crazy Heart

Rating:

Movie: Crazy Heart (2009)

Studio : Fox Searchlight

Info : Click Here

Runtime : 112 min

Website : foxsearchlight.com/crazyheart

Trailer :http://www.dailymotion.com/video/xb7utw

Review:

As of this writing, Jeff Bridges has already won a Golden Globe for his performance in Crazy Heart, and he is expected to receive an Oscar nomination, if not win the award entirely.

And he deserves it. Bridges disappears completely into his portrayal of Bad Blake, a 57-year-old alcoholic former country star whose career has been reduced to playing in front of small crowds in bowling alleys and bars. Subsisting on a steady diet of cigarettes, whiskey, and longnecks, Bridges can still entertain the crowds of loyal fans who request songs, and he’s still suave enough to be able to take groupies back to his hotel room.

Things begin to look up for Blake when he meets Jean Craddock (Maggie Gyllenhaal), a reporter for a small New Mexico paper, who wants to interview him. They talk about music and life. Soon enough, predictably but endearingly, they’re soon doing more than talking. She has a four-year-old son and has made mistakes in her life as well, but has held it together. We see that there’s potential for change in Blake, but he’s so worn down, so accustomed to the hard-drinking, nomadic lifestyle that change can be just out of reach. There’s a heartbreaking scene where he takes Jean’s son for some quality time at the playground, and he shows here that he could just be an effective father figure. Upon bringing him home, he sneaks away to take a swig from his flask.

This is a wonderful movie. Bridges doesn’t play Blake; he embodies him. He and Gyllenhaal create a convincing chemistry, and we root for the relationship to drive Blake to throw away the bottle and settle down with a family. Colin Farrell does a good job as the country star who was mentored by Blake and is still loyal to him, and Robert Duvall has a small but powerful role as an old drinking buddy of Blake’s who’s sober. Duvall’s presence was no doubt inspired by his Academy Award-winning performance in Tender Mercies, a similar film about a down-and-out country singer. I haven’t seen it, but now plan to.

I’ll also add the music. The soundtrack, which I also intend to find, had my head bopping throughout. I’m not a huge country fan, but I do have Toby Keith on my iTunes, and I’m listening to him as I write this review. Like most of the country songs I’ve heard, Blake’s revolve around alcohol, heartbreak, and regret, strong themes in his life. One of his songs goes, “I used to be somebody, but now I’m somebody else.” But does he need to stay that way? We know the answer, but the center of the film revolves around whether he learns it. It’s a masterpiece.

-Craig Wynne

Drama, Mystery, Romance crazy heart, Drama, Music, Romance

Taking Woodstock

Rating:

Movie: Taking Woodstock (2009)

Studio : Film in Focus

Info : Click Here

Runtime : 110 min

Website : Taking Woodstock

Trailer :http://www.dailymotion.com/video/xa3i5g

Review:

As a lifelong fan of Woodstock-era artists like The Who and Jimi Hendrix, I looked forward to this movie, an uncharacteristically lighthearted affair from director Ang Lee (Brokeback Mountain). It’s inspired by the true story of Elliot Tiber (renamed Jake Teichberg in the film), a New York City interior designer who organized the iconic festival in order to save his parents’ failing motel.

One of the things I enjoyed about this movie was its focus on the work that went into putting on the festival. Amazingly, we don’t see any concert footage or meet any actors called on to play Hendrix or Joplin. It has a documentary-like feel in such scenes as when we see Teichberg (played by Demetri Martin) riding on the back of a cop’s motorcycle in order to get into the actual concert or when we see Max Yasgur (well-played by Eugene Levy) agreeing to let the promoters hold the concert on his land while offering them some of his farm-made chocolate milk. The film is at its best when we’re among the fans and we’re seeing the show put together. We meet some colorful characters during the journey, including Liev Schreiber as a transvestite security guard and Dan Fogler as the leader of a postmodern thespian troupe that lives in Teichberg’s parents’ barn and manages to cause a ruckus among Bethel’s more conservative types, who feared the hippies would destroy the town.

The film also includes some interludes involving Teichberg’s tumultuous relationship with his mother (Imelda Staunton), who kavetches throughout the film, while his father is more accepting and drinks beer with the hippies. While Staunton has some good one-liners, this part of the story feels underdeveloped, and the final scene doesn’t have the emotional impact for which it seems to be reaching. It feels secondary to the festival. Still, I enjoyed the film on the basis of the realistic crowd shots, the likable Teichberg, the vibrant supporting cast, and that groovy soundtrack.

-Craig Wynne

Comedy, In Theaters, Music Comedy, Music, Taking Woodstock

It Might Get Loud

Rating:

Movie: It Might Get Loud (2009)

Studio : Steel Curtain Pictures

Info : Click Here

Runtime : 95min

Website : sonyclassics.com/itmightgetloud

Trailer :http://www.dailymotion.com/video/x9wjhd

Review:

On January 23, 2008, David Guggenheim gathered three rock icons from different generations and brought them into one warehouse for a discussion and jam session: Jimmy Page, U2’s The Edge, and Jack White. Together, they share their love of an instrument that they have based their fame on: the electric guitar.

Despite what the trailer may say, do not believe it! What you are seeing is hardly a documentary on the electric guitar. You get some remarks on electric guitars and how each of them was a part of their life, but this is not so much a documentary on the instrument as it is a history of how these three men came into the electric guitar and what brought them into becoming the artists they are. The furthest the film goes is remarking on what musical influence each person found that helped mentor them into finding the sound they wanted.

As you can imagine even with such a misleading premise, having three very influential guitarists discuss their past and their methodology with the instrument, coupled with some great music, still makes for an entertaining documentary (at least, if you like rock, which I do).

It seems that there might have been a plan to starkly contrast each of them since it begins with a stark difference in how The Edge engineers his sounds together through a sound lab versus Jack White’s “use it until you break it” methodology, but it seems to break down along the way into what I said before. This breakdown is actually welcome since you can feel this genuine fraternity between these three men, right down to an unplugged jam session during the credits that you almost have to hesitate applauding to.

So as an electric guitar documentary? A solid B-flat. As a documentary of three guitar greats and some of their music as well as influences? Plug yourself in and remember: it might get awesome.

-Donald Lee

Documentary, Music Documentary, Music

The Soloist - Jamie Foxx, Robert Downey Jr.

Rating:

Movie: The Soloist (2009)

Studio : Working Title Films; DreamWorks Pictures

Info : Click Here

Runtime : 117min

Website : soloistmovie.com

Trailer :
http://www.dailymotion.com/video/x6q7js

Review:

The story centers around Steve Lopez (Robert Downey Jr.), a middle-aged writer for the Los Angeles Times, who decides to write a series of articles about a schizophrenic homeless man named Nathaniel Ayers (Jamie Foxx). Lopez first notices Ayers as he is playing the violin; he later learns Nathaniel is a Juliard-trained musician. Based on true events, the movie follows Lopez’s evolving relationship with Ayers, as it transforms from one of strictly professional endeavors to a heartwarming tale of friendship.

Present-time scenes are spliced by brief flashbacks to Ayers’ past, such as his first cello lessons and his subsequent withdrawal from Juliard. Through this method, the viewer gets a more complete perception of Ayers’ collegiate downfall as well as his mental unraveling. Scene by scene, Lopez attempts to crack the next layer of Nathaniel’s trust to not only get more information for his articles, but to learn more about Nathaniel himself.

The story itself is incredibly touching and seems almost too good to be true, the sort of perfectly-aligned elements aimed at tugging your heartstrings that could only be manufactured by Hollywood. Unfortunately, the pace of the film seems to drag throughout which takes away from the plot. These factors melded with a pedestrian execution by director Joe Wright results in a heavy-handed display that does not match the emotional evocations of Nathaniel’s story.

Robert Downey Jr. once again delivers a stellar performance, as his nonchalant attitude paves the way for a seemingly effortless execution of flawless acting. Jamie Foxx also brings his A-game, assuming a role with a much higher, and somewhat unrealistic, standard of perfection. Playing a character with a heavy onset of mental instability is by no means a simple task, and although it was fairly unconvincing, Foxx’s wholehearted effort should not be overlooked. Despite the directorial shortcomings of the movie, the superb acting and touching story are worth the price of admission alone.

-Daniel S. Edited By: Trent M.

Drama, In Theaters, Music Drama, jamie foxx, Music, robert downey jr, soloist, the soloist