Movie Reviews By Movie Reviews Pro

Source Code

Rating:

Movie: Source Code (2011)

Studio : Summit Entertainment

Info : Click Here

Runtime : 94 min

Website : enterthesourcecode.com

Trailer :
http://www.dailymotion.com/video/xh31lh

Review:

In a unique twist on a concept introduced in TV’s Quantum Leap, a special individual can actually jump into another person’s body through the use of a machine. But unlike Sam Beckett in the TV show, the bodies that are jumped into will die in eight minutes. But we are not aware of that at the start of the film, and neither is Colter Stevens, an army helicopter pilot, who suddenly finds himself on a commuter train in Boston. He has no clue why he is there. All he knows is that this beautiful woman sitting across from him apparently knows him and that his name is not Stevens, but Sean. Stevens (played by Jake Gyllenhaal of Brokeback Mountain fame) must figure out why he’s there, what is going on, and stop what is about to happen to the train that kills everyone aboard and has eight minutes to do it, sort of. Read more…

Action, Adventure, In Theaters, Mystery, Sci-Fi, Thriller Action, Adventure, jake gyllenhaal, jeffrey wright, michelle monaghan, Mystery, sci-fi, source code, summit entertainment, Thriller, vera farmiga

The Losers

Rating:

Movie: The Losers (2010)

Studio : Warner Bros.

Info : Click Here

Runtime : 98 min

Website : the-losers.com

Trailer :
http://www.dailymotion.com/video/xc2luf

Review:

Based on a comic of the same name, this film is an old-fashioned action movie with tough guys, guns, chicks, and explosions. The plot has the main characters, The Losers, traveling from place to place, working together, carrying out various missions, exchanging witty banter, while trying to find and destroy the ever-so-elusive Max, a ruthless boss who is very well-protected.

Sylvain White (Stomp the Yard) directs this action flick with lots of confidence, zooms, action still shots, and various editing tricks, which, thankfully, weren’t too distracting. The typical action movie plot had occasional fun twists.

The characters and their relationship dynamics truly make this film shine. They have great chemistry. Jeffery Dean Morgan (who played The Comedian in The Watchmen) is charismatic as the decisive, yet flawed leader of the group. Zoe Saldana brings a lot of feminine charm and spunk as Aisha. The banter between the characters brings a lot of humor and life to much of the film.

Jason Patric is particularly great to watch on screen as the bad guy, Max, an evil genius with the best lines, just short from being completely insane. He is often surrounded by women. He kills and gets people killed for small things. Of course, he may not be realistic, but is a great cinematic bad guy.

There are occasional missteps here and there. A fight scene between Clay and Aisha appear to make little sense in regards to plot (but hey, it looks cool). Also, while the stunt work and real-life action scenes look good, whenever there is CG, it looks out of place, and in some cases, took me out of the film. Now, given its comic book origins, I have forgiven a lot worse in other films that were also made from comics.

This film reminded me a bit of the 2003’s Italian Job, in terms of flavor. Overall, this film, padded with humor, action, and fun characters, was made purely to entertain, and the filmmakers have certainly accomplished that mission.

-“D-Art” Kang

Action, Adventure, Drama, In Theaters, Mystery, Thriller Action, Adventure, Drama, losers, Mystery, Thriller

Shutter Island

Rating:

Movie: Shutter Island (2010)

Studio : Paramount Pictures

Info : Click Here

Runtime : 138 min

Website : shutterisland.com

Trailer :http://www.dailymotion.com/video/xbyi72

Review:

Having been a huge fan of such classic Martin Scorsese films like The Departed, Taxi Driver, and Raging Bull, I had been anticipating the release of Shutter Island ever since I saw the first preview. And I’m glad I got the opportunity to see it.

Set in 1954, the movie starts Scorsese regular Leonardo DiCaprio as Teddy Daniels, a U.S. Marshal who’s been sent to Ashcliffe, a hospital for the criminally insane, to investigate the disappearance of a patient who drowned her children. Accompanying him is fellow Marshal Chuck Aule (played by a characteristically muted Mark Ruffalo).

The hospital is located on an island just off the coast of Massachusetts, and we open as Daniels and Aule are introduced to each other on the ferry ride in, but there’s something about the gray skies and rough waters on their journey that give ominous hints of things to come.

We meet Dr. Cawley (Ben Kingsley) and Dr. Naehring (Max von Sydow), who carry a friendly guise, but appear to have something more sinister lurking beneath. They’re reluctant to offer information to the lawmen on their investigation, so DiCaprio does some snooping around on his own.

DiCaprio digs into his character well, as he shows a man troubled by his experiences in World War II along with the recent death of his wife. As he spends more time on the island, he begins to undergo hallucinations starring his wife, and there are hints that he could just become one of the patients.

The first half of the movie appears to be a hyped-up whodunit, and an excellent one at that. Scorsese appears to layer the investigation piece by piece, as DiCaprio and Ruffalo meet with a wide assortment of characters on the island that seem to lead them towards something more complex than the case of an escaped murderess.

For this part, the hallucinations, while necessary in establishing DiCaprio’s character, seemed to be overdone and were somewhat distracting from the actual case itself. However, this being a Scorsese film, there are a few surprises, and I can’t write too much more about it without giving away a twist that I half-predicted. However, it did end up surprising me and had me thinking the next day.

The movie is visually impressive as well. A hurricane approaches, and there are a couple tautly filmed sequences starring a lighthouse at the edge of the island, as well as some harrowingly tight cliffs and high-splashing waves that echo of Cape Fear. This movie proves once again why Scorsese is the legend that he is.

-Craig Wynne

Drama, In Theaters, Mystery crime, Drama, Leonardo DiCaprio, Martin Scorsese, Mystery

Orphan - Jaume Collet-Serra

Rating:

Movie: Orphan (2009)

Studio : Warner Bros.

Info : Click Here

Runtime : 123min

Website : orphan-movie.warnerbros.com

Trailer : http://www.dailymotion.com/video/x8qjbh

Review:

Movies about creepy kids have long been a reliable box office draw. Usually consisting of some seemingly angelic little boy or girl who starts out all wide-eyed and innocent but in the end is revealed to be a granny-mangling demon from the bowels of pre-pubescent hell, this sub-genre has given us such nightmarish cinematic icons as Regan from The Exorcist and Damian from The Omen.

The Orphan probably sits somewhere between the above classic examples of how to do creepy kid movies and Children of the Corn (as an example of how not to). Essentially it’s a domestic horror tale centering on the troubled Coleman clan and the swirling black-hole of loss and guilt that resides at the core of the family. We soon come to learn that the black-hole is the result of the tragic loss of Kate and John’s unborn baby. Kate is in therapy for her drinking problem while John deals with things by wandering around the house in a near perfect state of semi-consciousness. And so, to fill in the hole they decide to adopt another (older) child. Enter Esther.

Believed to be born in Russia and possessing prodigious musical and artistic abilities, the delightfully polite Esther immediately impresses Kate and John with her quiet and sad demeanor and they quickly decide to take her home from the orphanage. What was interesting at this point was that Esther was not simply being depicted as a one-dimensional mini -monolith of evil, but rather seemed genuinely vulnerable and moved by her introduction to the Colemans’ (relatively) stable family life.

It wasn’t long however before the creepy kid clichés began to pile up. But still, I reassured myself, that’s okay – heck, you could argue that all genre movies are just a series of orchestrated clichés! It was in the final act though that I finally gave up on The Orphan. Back-pedaling furiously from the complex position of having created an almost sympathetic killer kid, the film-maker instead took the easy way out by inserting one of the most ridiculous “twists” to come down the pipeline since Bobby Ewing came back from the dead in Dallas. Yes, the “twist” did answer a few (unimportant) questions – but it also provoked a new one: why did I spend $10 dollars on this crap?

In the end, despite the strong first half, the only person I would recommend this orphan to is Madonna.

-Paul Meade

Drama, Horror, In Theaters, Mystery, Thriller Drama, Horror, Mystery, orphan, Thriller