Movie Reviews By Movie Reviews Pro

Brooklyn’s Finest

Rating:

Movie: Brooklyn’s Finest (2010)

Studio : Millenium Films

Info : Click Here

Runtime : 132 min

Website : brooklynsfinestthemovie.com

Trailer :http://www.dailymotion.com/video/xbjqfc

Review:

I’m currently teaching a class in introductory literature, during which students are required to read one play. This semester, that play will be Oedipus Rex. As I’ve been rereading the play and attempting to tie it into my lessons on Greek tragedy, I couldn’t help but think of Brooklyn’s Finest, which stars three characters who could easily be tragic heroes in a Greek drama.

The first is Tango (Don Cheadle), a narc who’s been undercover for so long that he’s become confused about where his loyalties lie, particularly to Caz (a returning Wesley Snipes), a drug dealer who apparently saved him during a prison riot when he did an undercover stint there. Eddie (Richard Gere) is a burnt-out patrolman with seven days left before retirement. We first see him when he wakes himself up by chugging some whiskey and pointing a revolver into his mouth. Ethan Hawke is Sal, a detective with a wife and family that’s too big to support, with a set of twins on the way. In desperation, he’s taken to robbing drug dealers.

The movie intercuts these three stories, as we’re meant to see the hardships that real New York City cops endure: it’s the antidote to the fake buddy cop picture. We see Tango’s frustration appear to drift into borderline madness as he keeps being promised Detective First Grade by his supervisor (Will Patton) and threatened by a slimy agent (Ellen Barkin) if he doesn’t bust Caz. Eddie’s being asked to mentor rookie cops by taking them into the high-crime Brooklyn streets that have worn him down. His “retirement ceremony” brings some dark humor, all the more because it’s so sad. Sal’s wife (Lili Taylor) has to go to the hospital because of mold on the ceiling, which is threatening the health of her unborn twins. “Can you move to a bigger house?” the doctor asks. If only he knew…

The pacing here is excellent. Antoine Fuqua, the director of Training Day, does a great job at moving back and forth between these three stories, never dwelling on one for too long but allowing us enough time to get to know each character. The only downside was I had a hard time sympathizing with Hawke’s character, who seems to have put himself in his predicament of “too many kids.” My reasons will make me sound inhuman, so I’ll stop there.

The cinematography is fitting to the story as well. We don’t see overhead shots of the Brooklyn Bridge with the Manhattan skyline in the background, like most New York-set movies. Shots are limited to the streets, because this is the world occupied by these cops. The romance of New York is lost by most people who live there, but these guys appear to see it as a crime-ridden hellhole. With the exception of a shot of a subway station and the Brooklyn accents (well-done by both Gere and Hawke), this could really take place in any city.

One of my favorite movies is Requiem for a Dream, based on the Hubert Selby book. I hadn’t seen his name on any of the previews, but I wondered for a bit if the screenplay had been adapted from one of his novels. Brooklyn served as a fitting backdrop for his stories, all of which focused on multiple characters suffering from their own faults, and ultimately, succumbing to the consequences to follow. Michael C. Martin and Brad Caleb Kane, the screenwriters, certainly seem to have been inspired. It’s well-written and well-made. Not as good as Training Day, but worth the trip to the theater.

-Craig Wynne

Action, Crime, Drama, Just left Theaters, Reviews by Genre, Reviews by Status, Thriller Action, Brooklyn's Finest, crime, Drama, Richard Gere, Thriller

Gamer

Rating:

Movie: Gamer (2009)

Studio : Lakeshore Entertainment

Info : Click Here

Runtime : 95 min

Website : gamerthemovie.com

Trailer :http://www.dailymotion.com/video/x99ofj

Review:

Do you expect a movie made by the guys behind Crank about a future of people-controlled first-person shooters to be a masterpiece worthy of several Academy Awards? If you do, then you’re probably going to be disappointed. For the majority of you that know better, you’re probably just wondering if you are going to see something violent and crazy and if your protagonist is going to give you something as epic as his time as King Leonitas. If you are those people: you’re probably going to feel mostly satisfied.

Reconstituted plot aside, Gamer does live up to its promise in being over-the-top with copious amounts of bosoms and blood. In a way, this movie manages to make you feel the mood of a First Person Shooter where you are chunking anything meaty (beware: the shaky camera approach gets used extensively during those scenes), while giving you the sensation of a hedonist humanity that seems too jaded with excess to care about their living toys and some eccentric bits that work fairly well.

That said, I can see people griping about the storyline having a fair number of gaps of nonviolent scenes where “Kable” (Gerard Butler) is piecing together his past. Me, I liked it. These scenes usually had a somewhat artistic slant with the camera work and it did its purpose fairly effectively. For those just expecting a pure modern grindhouse, though, it may seem offset with the rest of the film, moreso with its fairly underwhelming ending that I keep reminding myself is not a homage to Blade Runner despite how much of this film’s plot is reconstituted from other recent movies.

In the end, I can not really gripe the film. It is watchable, moreso with friends, but I’d recommend this film for a DVD night.

-Donald Lee

Action, In Theaters, Sci-Fi, Thriller Action, gamer, mark neveldine, sci-fi, Thriller

Orphan - Jaume Collet-Serra

Rating:

Movie: Orphan (2009)

Studio : Warner Bros.

Info : Click Here

Runtime : 123min

Website : orphan-movie.warnerbros.com

Trailer : http://www.dailymotion.com/video/x8qjbh

Review:

Movies about creepy kids have long been a reliable box office draw. Usually consisting of some seemingly angelic little boy or girl who starts out all wide-eyed and innocent but in the end is revealed to be a granny-mangling demon from the bowels of pre-pubescent hell, this sub-genre has given us such nightmarish cinematic icons as Regan from The Exorcist and Damian from The Omen.

The Orphan probably sits somewhere between the above classic examples of how to do creepy kid movies and Children of the Corn (as an example of how not to). Essentially it’s a domestic horror tale centering on the troubled Coleman clan and the swirling black-hole of loss and guilt that resides at the core of the family. We soon come to learn that the black-hole is the result of the tragic loss of Kate and John’s unborn baby. Kate is in therapy for her drinking problem while John deals with things by wandering around the house in a near perfect state of semi-consciousness. And so, to fill in the hole they decide to adopt another (older) child. Enter Esther.

Believed to be born in Russia and possessing prodigious musical and artistic abilities, the delightfully polite Esther immediately impresses Kate and John with her quiet and sad demeanor and they quickly decide to take her home from the orphanage. What was interesting at this point was that Esther was not simply being depicted as a one-dimensional mini -monolith of evil, but rather seemed genuinely vulnerable and moved by her introduction to the Colemans’ (relatively) stable family life.

It wasn’t long however before the creepy kid clichés began to pile up. But still, I reassured myself, that’s okay – heck, you could argue that all genre movies are just a series of orchestrated clichés! It was in the final act though that I finally gave up on The Orphan. Back-pedaling furiously from the complex position of having created an almost sympathetic killer kid, the film-maker instead took the easy way out by inserting one of the most ridiculous “twists” to come down the pipeline since Bobby Ewing came back from the dead in Dallas. Yes, the “twist” did answer a few (unimportant) questions – but it also provoked a new one: why did I spend $10 dollars on this crap?

In the end, despite the strong first half, the only person I would recommend this orphan to is Madonna.

-Paul Meade

Drama, Horror, In Theaters, Mystery, Thriller Drama, Horror, Mystery, orphan, Thriller

The Hurt Locker- Kathryn Bigelow

Rating:

Movie: The Hurt Locker (2009)

Studio : Kingsgate Films

Info : Click Here

Runtime : 130min

Website : thehurtlocker-movie.com

Trailer : http://www.dailymotion.com/video/x91vpy

Review:

The Hurt Locker is the story the Army’s elite Explosive Ordinance Disposal (EOD) squad and their call to missions in modern-day Iraq. The story focuses on the Bravo Company, specifically commissioned to handle IEDs or Improvised Explosive Devices. We follow this company—which comprises Staff Sergeant William James (Jeremy Renner), Sergeant J.T. Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty)—on their 39-day tour of Iraq. We watch as they weave through each mission with their lives on the line, and as they consistently escape death, the layers of their complicated emotions and intentions unfold right before us.

It doesn’t take very long to realize that the real star of this film is director Kathryn Bigelow. Although her claim to fame up to this point might be Point Break and being the mega-director James Cameron’s former better half, this movie should cement her as a serious and formidable new voice.

The amazingly authentic script by Mark Boal aids her vision. Much like In the Valley of Elah, Boal has researched a real story in order to create a compelling fictitious one. Here, Boal imbedded himself with an actual EOD squad and fashioned himself part-journalist, part-screenwriter. And upon the viewing of this film, it will be hard to deny that he has succeeded exceptionally as both.

Jeremy Renner as Sergeant James does a commendable job of turning his performance into a bona-fide character study. As the most complex character, he gives an appropriately understated performance while maintaining a certain amount of bravura, making him fascinating to watch.

There’s a noticeable dip in the quality of the action at the end of the second act where a particular soldier goes AWOL. It’s the only part of the movie that feels a little “Hollywood.” Nevertheless, it doesn’t take away from the overall excellence of the film, and fortunately, it gets back on track shortly thereafter.

However, there is a major oversight that does affect the overall impression of this film: Although directed by a female, it is mysteriously devoid of female soldiers. For a film that’s committed to being so real and so true, it’s an unfortunate critique for a film that is otherwise virtually flawless.
 
The crux of this film lies within its final 5-10 minutes. And it’s these minutes that catapult it from being a run-of-the-mill war story to modern parable.

-Sam Henderson

Action, Drama, In Theaters, Thriller, War Action, Drama, hurt locker, Thriller, War